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Thomas Handforth

  • 3.5.3
  • Person
  • 9/15/1897-10/19/1948

A native of Tacoma, Thomas Handforth won international acclaim as an artist, author, and illustrator. Born in Tacoma on September 19, 1897, Handforth attended Stadium High School (then Tacoma High School). There he created the art for the high school annuals. Post-graduation he attended the University of Washington then moved to New York for art training. During his service in World War I he drew anatomical drawings in Washington, D.C. After the war, he returned to New York and studied under Kenneth Hayes Miller and later with Mahonri Young. Later he trained in draughtsmanship and painting at Ecole des Beaux-Arts in Paris. He won numerous prizes and became a member of various societies of etchers.
In 1927 he visited Morocco and in 1929 relocated to Mexico. Two years later traveled to China where he stayed until 1937. It was in China where he developed his skills with lithography. From China, he went to Southeast Asia (then Indo-China) and returned to the United States at the approach of World War II. He returned to service in the Army and after his release returned to Tacoma in 1944 and again in 1945 to make portraits of his many former hometown friends. Handforth is best known for his children's book "Mai Li", published in 1938, for which he won the Caldecott Medal for illustration in 1939. The other books he illustrated include Sidonie, Totou in Bondage, and Tranquilinas Paradise. Handforth died at McCornak General Hospital in Pasadena. His death was attributed to acute coronary thrombosis.

Virna Haffer

  • 3.5.5
  • Person
  • 1899-1974

Virna Haffer (then Virna Hanson) was born in 1899 in Aurora, Illinois. In 1907, her family moved to Washington to join the Home Colony, an anarchist community located near Tacoma. At age fourteen, Haffer moved to Tacoma where she lived with a local family and enrolled as a student at Stadium High School. She soon began working at the studio of Harriette H. Ihrig, located at 1107 South E Street. After a brief marriage to fellow Home Colony resident Clarence Schultz in 1919, she married Paul Haffer who would appear in many of her photographs. Paul, a labor activist and organizer, wrote for a number of local workers' publications and spent four months in prison for libel over criticisms he made of George Washington in a letter published in The News Tribune in 1916. Their son, Jean Paul, also became a frequent photographic subject after his birth in 1923. In the 1920s, she participated in a number of exhibitions in Seattle and was involved in both the Seattle Camera Club and Tacoma Camera Club. During this period, Haffer opened her portrait studio which she would continue to operate for fifty years. In 1930, she gained national attention with her work included in the Seattle Camera Club Final International Exhibition and reproduced in The American Annual of Photography. That same year, her first local solo exhibition was held in the lobby of the Wintrhop Hotel where she displayed both photographs and block prints. Over her career, Haffer experimented with drawing, painting, sculpture, fabric design, and music. In 1931, she married Norman Randall who would also become a subject of her work. Many other local artists and friends also appeared in her photographs. In the 1930s, she collaborated with poet Elizabeth Sale on a book project, Abundant Wild Oats, that would combine Sale's poetry with Haffer's artwork. The work was never published. In the 1960s, Haffer began experimenting with photograms and became an authority on the medium. Her book, Making Photograms: The Creative Process of Painting with Light, was published in 1969. One of her photograms, "California Horizon," was included in New York's Metropolitan Museum of Art's traveling exhibitions and was later purchased by MOMA for their permanent collection. She was awarded the highest honor from the Professional Photographers of America and featured in exhibitions across the country. She died on April 5, 1974.

Elizabeth Sale

  • 3.5.6
  • Person
  • 1886-1981

Elizabeth Sale (1886-1981) was a poet, novelist, and literary editor who spent her formative years in Tacoma, Washington. She was born Bettie Sale Clemmons June 26,1886, in Monroe County, Indiana. When she was three years old, her extended family moved to Tacoma, Washington, where her father and uncle worked as letter carriers. She married James Murdoch Stewart (1885-1956) in 1908 and they adopted a son, Harry Edward Skarbo (1908-1956) sometime after the death of his birth mother in 1911. Their second son, James Murdock Stewart, Jr., (1914-1999) was born November 24, 1914.

She was a charter member and the third president of the Tacoma Writers’ club, which was inaugurated in 1919. Her poetry was published in Washington State journals The Tacoman and Muse & Mirror, as well as syndicated in newspapers in the United States and Canada. She performed on KOMO radio in the late 1920s as “Aunt Missouri Jackson”, a Black “mammy” character in skits that she wrote every week. Her son Harry was to have his own fame in radio, nightclubs, and movies performing in Swedish dialect as “Yogi Yorgesson”, the Hindu mystic. By 1930, she was divorced and living in New York City. On April 14, 1931, she married Christoffer Fotland (1891-1972), a Norwegian sea captain, and had relocated to the Los Angeles area in California. She continued to be active in poetry circles in California and joined the San Pedro Writers’ Guild in 1936, of which she was later president.

She had begun writing her first novel as early as 1934, when she lived in Tacoma for two months while doing research. This year she began her collaboration with Virna Haffer (1899-1974) on a volume of erotic poetry and photographs, called Abundant Wild Oats. It was to be published by The Writer's Press in New York City in 1938, although it was never produced. A mock-up of the cover survives, along with a promotional brochure, a few poems, and a handful of Virna Haffer’s photographs. Her novel, Recitation From Memory (1943), was set in Tacoma and based on her early childhood experience. Her reminiscence continued through her second novel, My Mother Bids Me Bind My Hair (1944), which followed her life up to her first marriage. For ten years (c. 1938-1948) she worked as poetry editor of Rob Wagner’s Script, a weekly literary and film magazine published in Beverly Hills. Two volumes of her poetry were published, The Field (1968), and Where Lies the Land (1974). She lived the last two years of her life with her son James in Grand Junction, Colorado, where she died February 5, 1981.

Ernest Norling

  • 3.5.7
  • Person
  • 1892-1974

Ernest Norling was born in Pasco, WA on September 26, 1892. In 1895 his family moved to Ellensburg, Washington. Norling attended Whitman College where he majored in math and physics. After college he worked as a draftsman for the city engineer's office before moving to Chicago. He studied at the Chicago Art Institute and the Chicago Academy of Fine Arts and then moved to Seattle, where he began teaching art at the Cornish School. While teaching, Norling wrote "Perspectives Made Easy" (1939), a book on the use of perspective in art. He was one of fifty artists in Washington to take part in the Public Works of Art Project (PWAP) during the Great Depression, creating documentary paintings of the Civilian Conservation Corps at work. Norling worked as an artist for the Seattle Times and as the art director for the Boeing Aircraft Company Preliminary Design Unit. He worked as an illustrator for a number of children’s books, including the Kenneth Gilbert books Bird Dog Bargain (1947), Triple Threat Patrol (1953), and Cruise of the Dipsy Do (1954). Norling and his wife, Josephine Stearns, also worked together on a series of "Pogo" books that featured a dog inspired by their daughter's pet. The novels explored underrepresented topics in children's literature such as lumberjacking and train mechanics. Over 12 years, Norling and his wife produced 20 childrens books set in the Pacific Northwest, including Pogo's Train Ride which is part of this collection. He also created commissioned works for the University of Washington, which included a mural for the student union building, now known as the HUB, in 1949. The mural depicted individuals and events from the University of Washington's history from 1861 to 1925. Ernest Norling died in Seattle, Washington in March 1974 at the age of 81.