ca. 1928. "Robert" - portrait photo of young child, circa 1928, wearing a polka-dotted jersey with a large collar shirt. In 1930 Haffer received her first national exposure when this photograph of "Robert" was reproduced by the American Annual of Photography. (A Turbulent Lens: The Photographic Art of Virna Haffer, p. 106)

ca. 1935. "Untitled" (Newell Griffith) - portrait of person's (Newell Griffith) head split with mirror, circa 1935. (A Turbulent Lens: The Photographic Art of Virna Haffer, p. 74)

ca. 1928. "Man in Derby" - portrait of person (Ralph Rosenberg) in derby hat and dark suit holding a lit cigarette, circa 1928. Haffer would use this photograph as a basis for a print, made from wood or linoleum blocks in 1929. (A Turbulent Lens: The Photographic Art of Virna Haffer, p. 95)

ca. 1930. "Don of Taos Pueblo" - profile portrait, circa 1930.

"Model a la Chinese" - undated portrait of person with furrowed brow, face strongly lit from below

ca. 1933. "Onya la Tour" - portrait of person gazing upward. Dangling hoop earrings are in contrast with long dark hair. According to the book "A Turbulent Lens: The Photographic Art of Virna Haffer," title of a bas relief print which featured the same person was "Onya Latoor." It was possibly photographed in California. (A Turbulent Lens: The Photographic Art of Virna Haffer, p. 80)

ca. 1930. "Study -Kay Harshberger" - portrait of person with head distorted, circa 1930. According to "A Turbulent Lens: The Photographic Art of Virna Haffer," this work was also titled Caricature. The distorted image was created in the darkroom by rotating the horizontal printing frame slightly on its vertical axis. (A Turbulent Lens: The Photographic Art of Virna Haffer, p.19)

ca. 1930. "Isabel Morrison, Dancing Teacher" - circa 1930 portrait of person in kimono standing against a vertically striped wall with Chinese or Japanese characters written on it. According to the book "A Turbulent Lens: The Photographic Art of Virna haffer," Isabel Keith Morrison was a dancer and taught dance in Tacoma during the 1920s. She later moved to Los Angeles where she continued teaching and dancing in regional productions. (A Turbulent Lens: The Photographic Art of Virna haffer, p. 110; p. 20)

"Elizabeth Sale" - portrait of person with drawn castle in background, only head and hands are visible. Elizabeth ("Bettie") Sale was a poet who collaborated with Virna Haffer to produce a book incorporating her poetry along with photographic illlustrations by Haffer. "Abundant Wild Oats" was never published although a prototype was made. (A Turbulent Lens: The Photographic Art of Virna Haffer, p. 116-information on Bettie Sale and "Abundant Wild Oats.")

"Arrangement of Bamboo Leaves and New Shoots" - photogram. Photograms are created in a camera-less process using shadows that appear by placing objects between light-sensitive paper and a light source.

"Flashlight Drawing" - photogram of a female with elongated nose and neck, full lips. (Virna Haffer Collection)

"The Unknown" - photogram. Probably created during the 1960s when Virna Haffer transitioned to camera-less photographic processes, particularly photograms. (Virna Haffer Collection)

"Wheat" - Triticum (aestivum) - photogram of wheat with disc of light (sun) (Virna Haffer Collection)

ca. 1929. "Male Beauty" - soft focus male nude (back view) printed in sepia tone (Virna Haffer Collection)

"Poetry of the ages in one little bay" - trees reflected in water (Virna Haffer Collection)

Brightly lit head of man with deep dark-set eyes and black background. Area below the sharply etched cheekbones is in darkness. Forehead and nose area highlighted. (Virna Haffer Collection)

ca. 1929. Digitized for use by Frye Museum/jg. This is entitled "Kwei Dun" and was a bromoil print which resembled a painting. This is believed to be a portrait of Chinese finger painter Kwei Dun who arrived in Seattle in 1924 to study art and architecture at the University of Washington. (Virna Haffer Collection) (Bullock: A Turbulent Lens, p. 107)

U.S.O. #2, 713-15 Commerce St., circa 1946. During World War II, although black and white soldiers fought side by side, the United States Army was still segregated. In Tacoma, African American service men and women had their own USO Club at 713-15 Commerce. It was dedicated on September 4, 1942 and closed late in March of 1947. The Kaufman-Wolff building where it was located had previously housed the Soldiers and Sailors Clubhouse during World War I. USO #2 was enlarged in 1944 by adding an annex in the building to the north of the original club. The enlarged structure provided the following facilities: dark room, music room, hobby room, game room, showers, sleeping accommodations, library and snack bar. It was operated by the YMCA and staffed primarily by volunteers. (brochure from Recognition Ceremony USO Number Two on 3/30/1947; photograph by F.L. Powell of Tacoma).

On October 22, 1945, this group of unidentified individuals were photographed seated around a table after what appears to be a dinner at the USO #2, 713-15 Commerce St. (photograph by F.L. Powell of Tacoma)

On Sunday February 3, 1946, a dinner was held at the Tacoma USO #2, 713-15 Commerce St., honoring the 5th anniversary of USO operation. The United Service Organizations, or USO, was incorporated in New York Feb. 4, 1941 by President Franklin D. Roosevelt, who believed it was important for private citizens to take responsibility for the on-leave recreation needs of service members. One of the guests of honor for the Tacoma celebration was Mayor Harry Cain, standing center, who attended with his wife Marjorie, last woman seated left. Seated to the right of Mayor Cain was Mr. Arthur Hayes, chairman of the club's operating committee. The other individuals at the table were unidentified. (TNT 2/3/1946, pg. A-7, 2/4/1946, pg. 1: photograph by F.L. Powell of Tacoma)

The performance by the 70 piece Youth Symphony Orchestra of the Pacific Northwest, under the direction of Dr. Francis Aranyi, was one of the highlights of the USO Music Festival held July 28, 1946 at Point Defiance. The festival was held in the natural amphitheater at the entrance to the park. The concert drew over 7,000 listeners. It was also broadcast over the Mutual Network by KMO. (TT 7/27/1946, pg 2 and 7/28/46, pg 1; TNT 7/27/46, pg.1 and 7/29/46, pg. 1& 2) Photo by F.L. Powell, YMCA, Tacoma)

An unidentified majorette performs with the Seattle Elks Band at the USO Music Festival at Point Defiance Park on July 28, 1946. The band was one of many performers in the concert attended by over 7,000. (TT 7/27/1946, pg 2 and 7/28/46, pg 1; TNT 7/27/46, pg.1 and 7/29/46, pg. 1& 2; Photo by F.L. Powell, YMCA, Tacoma)

ca. 1947. Orson Welles (standing), noted performer and director of stage, screen and radio, conferred with an unidentified African American pianist in this undated photograph. Two women in hats looked on from the drawing room beyond. The occasion was possibly in March of 1947, when Mr. Welles spoke to 5,000 persons in the Armory as a guest of the Tacoma Jewish Association in observance of Brotherhood Week.

This undated photograph was taken in front of the snack bar at the USO No. 2 in Tacoma. At the head of the table was Arthur Hayes and at the end closest to the camera was Helen B. Stafford, local civic activist. USO No. 2 opened at 713 Commerce Street in September 1942 to serve Tacoma's African American servicemen and closed in March 1947. This location also served servicemen during World War I as the Army-Navy Club.

Undated photograph of the Matrons Club. The woman seated front left is Helen Beck Stafford, one of the founders of the group. Dr. Stafford moved to Tacoma in 1926 to marry Wendell P. Stafford on New Years Eve. Even though she had taught for a few years in Kansas schools, Tacoma school personnel directors refused to hire a black teacher. She stayed at home and cared for her husband and daughter. She and several other women who stayed home to rear their children would get together for a social outlet. In 1927, they formally organized the Matrons Club. The women who attended the meetings often brought their children along and the children would play together. (TNT 2/22/1982- NWR clipping file) (photograph by Liberal Engraving Co., 907 1/2 Commerce)

George F. Cram and Company
1 map; 34 x 51 cm. From page 292-293 of Cram's unrivaled atlas of the world. Relief shown by hachures. Shows counties, cities and railroads. Scale ca. 1:1,300,000 On verso: portion of "City of Portland, Oregon." In lower margin: 292, 293. Index on verso.