Virna Haffer Collection

"Robert" (Album 1 Image 8) "Untitled" (Newell Griffith) (Album 1 Image 17) "Franz Brasz, Artist" (Album 1 Image 21) "Hard Rock Randall" (Album 1 Image 30) "Dude Cowboy, Pecos, New Mexico" (Album 1 Image 31) "Man in Derby" (Album 2 Image 34) "Newell Griffith and Shadow" (Album 2 Image 35) "Norman" (Album 2 Image 36) "Don of Taos Pueblo" (Album 2 Image 37) "Model a La Chinese" (Album 2 Image 40) "Onya la Tour" (Album 2 Image 45) "Study - Kay Harshberger" (Album 2 Image 46) "Isabel Morrison- Dancing Teacher" (Album 2 Image 47) "Gian Paola" (Album 2 Image 48) "Kay with Silver Shawl" (Album 2 Image 53) "Self Portrait" (Album 2 Image 55) "Elizabeth Sale" (Album 2 Image 57) "Arrangement of Bamboo Leaves and New Shoots" (Book 1 Image 23)

Identity elements

Reference code

3.5.5

Name and location of repository

Level of description

Title

Virna Haffer Collection

Date(s)

Extent

6 boxes and one oversize portfolio
(2.6 cubic feet)

Name of creator

(1899-1974)

Biographical history

Virna Haffer (then Virna Hanson) was born in 1899 in Aurora, Illinois. In 1907, her family moved to Washington to join the Home Colony, an anarchist community located near Tacoma. At age fourteen, Haffer moved to Tacoma where she lived with a local family and enrolled as a student at Stadium High School. She soon began working at the studio of Harriette H. Ihrig, located at 1107 South E Street. After a brief marriage to fellow Home Colony resident Clarence Schultz in 1919, she married Paul Haffer who would appear in many of her photographs. Paul, a labor activist and organizer, wrote for a number of local workers' publications and spent four months in prison for libel over criticisms he made of George Washington in a letter published in The News Tribune in 1916. Their son, Jean Paul, also became a frequent photographic subject after his birth in 1923. In the 1920s, she participated in a number of exhibitions in Seattle and was involved in both the Seattle Camera Club and Tacoma Camera Club. During this period, Haffer opened her portrait studio which she would continue to operate for fifty years. In 1930, she gained national attention with her work included in the Seattle Camera Club Final International Exhibition and reproduced in The American Annual of Photography. That same year, her first local solo exhibition was held in the lobby of the Wintrhop Hotel where she displayed both photographs and block prints. Over her career, Haffer experimented with drawing, painting, sculpture, fabric design, and music. In 1931, she married Norman Randall who would also become a subject of her work. Many other local artists and friends also appeared in her photographs. In the 1930s, she collaborated with poet Elizabeth Sale on a book project, Abundant Wild Oats, that would combine Sale's poetry with Haffer's artwork. The work was never published. In the 1960s, Haffer began experimenting with photograms and became an authority on the medium. Her book, Making Photograms: The Creative Process of Painting with Light, was published in 1969. One of her photograms, "California Horizon," was included in New York's Metropolitan Museum of Art's traveling exhibitions and was later purchased by MOMA for their permanent collection. She was awarded the highest honor from the Professional Photographers of America and featured in exhibitions across the country. She died on April 5, 1974.

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Scope and content

Includes photographic works by Haffer organized into a series of titled bound volumes. Each volume includes typewritten descriptive notes. Also included are additional photographs not included in the volumes, newspaper clippings, and correspondence.

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Photographs have been removed from binders and replaced with surrogate copies. Original photographs have been placed in mylar sleeves and folders.

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