ca. 1931. Dennison & Company, chicken canners, Fern Hill. Belle and Lee Dennison founders of food line. This circa 1931 photograph depicts five women working at an assembly line of glass jars full of Dennison chicken.

ca. 1932. South end of Pacific Ave. just south of the Union Station. Goodrich Silvertown, Inc. (1955 Pacific ) and the Bone-Dry Shoe Co. (2113-15 Pacific) are neighbors as evidenced in this circa 1932 photograph. The tire store, Goodrich Silvertown, utilized Hollowstone concrete and tile in its construction. Throngs visited the store when it opened in June of 1931. The Bone-Dry Shoe factory was designed by architects Hill, Mock & Griffin and opened in 1919. It manufactured top quality boots for nearly 40 years mostly handcrafted by skilled workers.

Pioneer Beer display. TPL-8149

Ed Barry and Major John McDonnell on set of First National's "The Patent Leather Kid," Camp (Fort) Lewis, March 21, 1927. Ed Barry was a film executive with the First National studio. He is posed with Major John G. McDonnell, who was the supervisor in charge of technical work from the Army's standpoint. The Army, which supplied the film with thousands of active duty soldiers, wanted to be sure that the film was as accurate as possible regarding munitions and machines. (TNT 3-22-27, p. 1) BGN-107

Shell damaged cathedral on set of "The Patent Leather Kid" located at Camp (Fort) Lewis; photographed on April 14, 1927. Desperate German soldiers would hole up in the church that they had attempted to previously destroy. American troops and massive tanks would rout the enemy from the church cemetery although suffering losses by sniperfire from the belfry. Star Richard Barthelmess would kill his nemesis, German General Lucien Prival by bayonet at this location. The cathedral would be blown up by dynamite at the movie's end. BGN-125

Richard Barthelmess & Harry Dillon at Camp (Fort) Lewis on March 29, 1927 during break in the filming of "The Patent Leather Kid." Still in his doughboy uniform, Mr. Barthelmess shares a moment of conversation with Canadian boxer Harry Dillon who was in town to defend his light heavyweight crown. In "The Patent Leather Kid," Mr. Barthelmess portrays a self-centered boxer who finally enlists in WWI for the love of beautiful Molly O'Day. He was invited by Mr. Dillon to attend the March 31, 1927, match held at the Greenwich Coliseum downtown. Mr. Dillon ultimately lost the bout to southpaw Washington native Fred Lenhart. (TNT 3-30-27, p. 10) BGN-120

Action scene from "The Patent Leather Kid" filmed at Camp (Fort) Lewis in early April, 1927. A billowing curtain of smoke obscures advancing American troops from German soldiers entrenched behind rocks and hay during the "big drive in the Argonne." Two lines of trenches would be dug across the top of a hill as far as the eye could see and masses of barb wire entanglements, stumps, fallen trees and debris would stretch a quarter mile to the nearby forest. These German soldiers, and others, would tensely await the storming of thousands of American infantry and 21 tanks. Nine cameras would be used to film this battle sequence which would show an Army truck blown up and hand grenades and exploding shells decimating the earth. (TDL 4-2-27) BGN 112

Dressed in Army gear, a squad of "German" soldiers awaits instructions during the filming of "The Patent Leather Kid" on the grounds of Camp (Fort) Lewis in March, 1927. They do not bear arms but carry rucksacks and wear, in some cases, badly fitting helmets. Thousands of regular USA personnel participated in the filming of the war drama and 600+ civilians were recruited as extras. This particular platoon of Imperial Germans spent the day drilling under the direction of Army officers and also hiked several miles. (TNT 3-22-27, p. 1) BGN-607

Arthur Edeson, director of photography, manipulating camera on location of "The Patent Leather Kid," March 29, 1927. Dressed in suit and tie but with a newsboy's cap, Mr. Edeson may be surveying the scene at Camp (Fort) Lewis. He is perched aboard a wheeled cart while his crew help to steady the tripod. Mr. Edeson entered the film industry with the Eclair Co. in 1911. He would play a pivotal role in location sound photography when the silent era came to a close in the late 1920's. BGN-166