Adela Rogers St. Johns, on location of "The Patent Leather Kid," March 24, 1927. Striking a relaxed pose, Miss St. Johns wears her helmet tilted as she sits in a director's chair while visiting the filming of "The Patent Leather Kid" at Camp (Fort) Lewis. She wrote the screen adaptation of Rupert Hughes' short story of the same name. Miss St. Johns was a noted journalist and writer who was known for her distinctive, emotional style. A reporter for the Hearst newspapers, she also interviewed celebrated actors for Photoplay magazine, wrote short stories for various periodicals and also wrote many screenplays. She did not restrict herself to a genre but wrote on such varied subjects as the controversial Dempsey-Tunney "long-count" fight, the 1935 Bruno Hauptmann trial, the assassination of Senator Huey Long and the abdication of King Edward VIII of Great Britain. After retiring from newspaper work in 1948, she went on to write books, including her autobiography "Honeycomb," and to teach at a series of universities. Old age did not deter her; she returned to newspaper work at age 82 to report for the San Francisco Examiner on the bank robbery trial of Patricia Hearst. She died at the age of 94 in 1988; she was still working at the time of her death on a book regarding Jesus Christ. (Britannica Online: Women in American History) BGN-163

Filming of the "Battle of Argonne" war scenes of "The Patent Leather Kid," March 24, 1927, at Camp (Fort) Lewis. "German" soldiers charge down a hill, dodging explosives, while others hunker down in trenches. They would soon be overpowered by the superior numbers of American troops and tanks. BGN-111

Battle of Argonne filmed on location at Camp (Fort) Lewis on March 24, 1927. German troops huddle in trenches behind rock and vegetation barriers as they await the charge of American soldiers during the filming of "The Patent Leather Kid." Camp (Fort) Lewis was apparently ideally suited due to its natural resources as a prime substitute for France and thousands of military personnel were made available for use as extras with the permission of the Army. The location of the "Big Drive," scene of the fierce fighting of the Argonne forest, is almost the exact replica of the famous war sector according to Army technical advisers. BGN-113

Portrait of Al Santell, director of "The Patent Leather Kid," on location at Camp (Fort) Lewis on March 24, 1927. A jaunty beret and Army-issue jacket protect him from the often inclement weather. Mr. Santell was chosen to helm the war drama starring Richard Barthelmess and Molly O'Day. A San Francisco native, he was a comedy writer, set decorator and occasional actor before directing comedy shorts at the age of 20. He subsequently directed a number of silent and sound films of all types. He is perhaps best known for his film adaptations of Maxwell Anderson's "Winterset" (1936) and Eugene O'Neill's "The Hairy Ape." (1944). BGN-116

Crown Prince & German soldier "Battle of Argonne." Arms akimbo and cigarette in hand, the German "Crown Prince" converses with a soldier from the "German" Army during filming of "The Patent Leather Kid" at Camp (Fort) Lewis on March 24, 1927. Even the wooden sign behind them is in the German language. The war scenes filmed were said to be the most vividly real sequences ever made for the camera. Trenches were dug, barb wire strung and fallen trees and other debris were scattered across the war zone. Thousands of extras, mostly Army personnel, were used to depict the sheer magnitude of the bloody battle. 37 Army and National Guard tanks were used as well as 100 army trucks, 15 ambulances and 15 wagon trains. Four batteries of 75 mm guns, two batteries of 155 mm guns, two batteries of 8-inch howitzers were also utilized. BGN-182

Filming of "Battle of Argonne" scenes - "The Patent Leather Kid," March 24, 1927 at Camp (Fort) Lewis. "German" soldiers beat a hasty retreat back to waiting comrades in trenches as their attempt to battle American troops are thwarted by the presence of 27 whippet tanks. Later scenes would show the tanks hurdling German trenches and fierce hand-to-hand fighting .

Arthur Edeson, cameraman, First National Productions' "The Patent Leather Kid," March 29, 1927. Mr. Edeson positions his camera which is mounted on a wheeled cart. He was the director of photography for the film which was lensed on the grounds of Camp (Fort) Lewis. A founder of the A.S.C. (American Society of Cinematographers), he later pioneered location sound photography as the cameraman of "In Old Arizona" (1929). "Stella Dallas,' "All Quiet on the Western Front," " Mutiny on the Bounty ," "They Drive By Night," "Maltese Falcon," and "Casablanca" were just a few of the many films Mr. Edeson worked on. He retired at the age of 58 after a career spanning the silent and sound eras. (Film Encyclopedia, p. 373) BGN-165

Troop of soldiers relax during the filming of "The Patent Leather Kid" on March 29, 1927, on the grounds of Camp (Fort) Lewis. An exceptionally tall soldier certainly stands out in the crowd of his compatriots. These men were probably portraying American foot soldiers in a vivid enactment of the Battle of the Argonne. First National Studio arranged to have the outdoor battle scenes filmed at Camp (Fort) Lewis and thousands of regular USA personnel as well as ROTC units from the University of Washington and 600+ civilians participated in the filming. BGN-117

Actor Richard Barthelmess, writer Adela Rogers St. Johns & director Al Santell on location at Camp (Fort) Lewis during filming of "The Patent Leather Kid, " March, 1927. Miss St. Johns wrote the screen adaptation of Rupert Hughes' short story of the same name. She had arrived in Tacoma on March 22, 1927, to help the continuity of the script. Mr. Barthelmess played the role of a self-centered boxer who learns to face death with the same courage he had faced his ring opponents. He was a Best Actor nominee at the 1927-28 Academy Awards for "The Noose" and "The Patent Leather Kid;" Mr. Hughes also received a nomination for Original Writing. Director Santell was praised by the New York Times critic Mordaunt Hall for bringing out Mr. Barthelmess' flawless acting and while realizing the full pictoral values of his scenes, never permitting them to interrupt the trend of the story. Mr. Santell would go on to direct dozens of silent and sound films of all genres, including The Arizona Kid (1930), Rebecca of Sunnybrook Farm (1932), Winterset (1936) and The Hairy Ape. (1944) BGN-438

Richard Barthelmess & Harry Dillon on set of "The Patent Leather Kid," Camp (Fort) Lewis, March 29, 1927. Harry Dillon was a real-life boxer from Canada who was in Tacoma to defend his light heavyweight crown against Eastern Washington's Fred Lenhart. He was on the set of the First National studio's motion picture, "The Patent Leather Kid," to meet a celluloid boxer, Richard Barthelmess, who is dressed in a doughboy 1917 service uniform with tin hat. Mr. Barthelmess was cordially invited to attend the boxing match on March 31, 1927, at the Greenwich Coliseum. (TNT 3-30-27, p. 10) BGN-118

Silent movie star Richard Barthelmess, boxer Harry Dillon, & Hollywood director Al Santell posed for a picture on location at Camp (Fort) Lewis during the filming of "The Patent Leather Kid" on March 29, 1927. Mr. Barthelmess is dressed in doughboy attire for his role as a boxer who enlists in WWI. Mr. Dillon, a Canadian boxer who was known for his knockout right handed "Static Punch," was in Tacoma for his March 31st title fight against Washington native Fred Lenhart to be held at the Greenwich Coliseum. An invitation was extended to the film "boxer" by the real pugilist to attend the bout and Mr. Barthelmess accepted. Mr. Dillon lost his light heavyweight crown by referee's decision. (TNT 3-30-27, p. 10) BGN-164

Actor Richard Barthelmess & champion boxer Harry Dillon shaking hands on location at Camp (Fort) Lewis, March 29, 1927, during filming of "The Patent Leather Kid." Harry Dillon, a Canadian, was in town to defend his light heavyweight title against native son Fred Lenhart at the Greenwich Coliseum on March 31, 1927. He extended an invitation, which Mr. Barthelmess apparently accepted, to watch the bout. Mr. Dillon lost the match by referee's decision; this brought along a mixed reaction by the packed house. (TNT 3-30-27, p. 10) BGN-119

Richard Barthelmess & Harry Dillon at Camp (Fort) Lewis on March 29, 1927 during break in the filming of "The Patent Leather Kid." Still in his doughboy uniform, Mr. Barthelmess shares a moment of conversation with Canadian boxer Harry Dillon who was in town to defend his light heavyweight crown. In "The Patent Leather Kid," Mr. Barthelmess portrays a self-centered boxer who finally enlists in WWI for the love of beautiful Molly O'Day. He was invited by Mr. Dillon to attend the March 31, 1927, match held at the Greenwich Coliseum downtown. Mr. Dillon ultimately lost the bout to southpaw Washington native Fred Lenhart. (TNT 3-30-27, p. 10) BGN-120

Arthur Edeson, director of photography, manipulating camera on location of "The Patent Leather Kid," March 29, 1927. Dressed in suit and tie but with a newsboy's cap, Mr. Edeson may be surveying the scene at Camp (Fort) Lewis. He is perched aboard a wheeled cart while his crew help to steady the tripod. Mr. Edeson entered the film industry with the Eclair Co. in 1911. He would play a pivotal role in location sound photography when the silent era came to a close in the late 1920's. BGN-166

Soldiers at attention during filming of "The Patent Leather Kid" at Camp (Fort) Lewis in March, 1927. The filming of this war drama involved the usage of thousands of soldiers from the 4th Infantry (Fort Lawton), 7th Infantry (Vancouver) and ROTC units from the University of Washington. Actual soldiers played screen soldiers on both sides in the First National production, although most of the enemy soldiers were played by the U.W. college students who had to cut their film careers short to return to school after spring break. The studio had to recruit hundreds of extras to replace them. This group pictured above of Imperial German soldiers seems unsure whether all should salute or not. TPL-10377

Lights! Cameras! Action! Cameras roll as filming occurs on Camp (Fort) Lewis with "The Patent Leather Kid" in March, 1927. One of the cameramen is believed to be Arthur Edeson, director of photography, a founder of the A.S.C. (American Society of Cinematogophers). He pioneered location sound photography in later work as the cameraman of the successful Western "In Old Arizona." Both he and the other cameraman are wearing protective helmets. Camp Lewis was used by the First National Inc. studios for outdoor photography with indoor scenes filmed in California. Multiple cameras captured the fierce battle action in the "Argonne" where thousands of soldiers from the 4th Infantry, 7th Infantry and ROTC from the University of Washington served as extras. The artillery range was used for the main part of the picture with the construction of five French villages and a cathedral. BGN-115

Filming of "The Patent Leather Kid" at Camp (Fort) Lewis in March, 1927. Cameras on top of platforms are protected under large umbrellas; ladders must be utilized by cameramen and director(s) for access to the platforms. Groups of actors and military personnel appear to be waiting for the next scene. BGN-114

Between scenes of "The Patent Leather Kid" on Camp (Fort) Lewis, March, 1927. Making films, even back in the silent era, involved lots of downtime. Scenes needed to be set up, camera angles discussed and positioned, and actors herded into place. Some of the actors, probably extras, stand in a group with their guns at rest while others lounge in a truck. Four giant loudspeakers would give plenty of warning when action was ready to commence. BGN 124

Dressed in Army gear, a squad of "German" soldiers awaits instructions during the filming of "The Patent Leather Kid" on the grounds of Camp (Fort) Lewis in March, 1927. They do not bear arms but carry rucksacks and wear, in some cases, badly fitting helmets. Thousands of regular USA personnel participated in the filming of the war drama and 600+ civilians were recruited as extras. This particular platoon of Imperial Germans spent the day drilling under the direction of Army officers and also hiked several miles. (TNT 3-22-27, p. 1) BGN-607

The new Point Defiance to Gig Harbor ferry, "Defiance." The 180-foot wooden ferry constructed of Douglas fir, with a capacity of 70 cars, was built by the Skansie Shipbuilding Co. in Gig Harbor and started on her Gig Harbor run on April 3, 1927. She had her "builders trial test" the day before. The new ferry was designed to speed up traffic between Tacoma and the Gig Harbor peninsula. She was licensed to carry 500 foot passengers and 70 cars. Skansie Brothers was founded in 1912 by four Yugoslavian brothers, Pete, Mitchell, Andrew and Joe Skansie. Beginning in 1922, the company was one of the first yards to build automobile ferries. They also were pioneers in the use of diesel ferry engines. By 1926, Mitchell Skansie had also begun an early ferry service company called the Washington Navigation Co. It had taken over operation of all ferries in Pierce County on January 1, 1927. By the 1930's, the company had many ferries running on contracted routes in the south Puget Sound. (Neal & Janus "Puget Sound Ferries") TPL-8269; G66.1-101 (TNT 1-15-27, p. 14-article; TNT 1-17-27, p. 15-article; TDL 4-2-27, p. 1-article; TDL 4-3-27, A-11)

Ferries--1920-1930; Skansies Shipbuilding Co. (Gig Harbor);

Actor on location set for "Patent Leather Kid," April 14, 1927, at Camp (Fort) Lewis. This unidentified actor leans against the archway of the ruins of a French cathedral used in the film's climatic battle scenes. He is probably portraying an American officer. The First National studio film crew used seven locations at Camp (Fort) Lewis to make realistic replicas of the French countryside. Desperate Germans would use this French cathedral as a final stand against superior American forces. BGN-126

Shell damaged cathedral on set of "The Patent Leather Kid" located at Camp (Fort) Lewis; photographed on April 14, 1927. Desperate German soldiers would hole up in the church that they had attempted to previously destroy. American troops and massive tanks would rout the enemy from the church cemetery although suffering losses by sniperfire from the belfry. Star Richard Barthelmess would kill his nemesis, German General Lucien Prival by bayonet at this location. The cathedral would be blown up by dynamite at the movie's end. BGN-125

Action scene from "The Patent Leather Kid" filmed at Camp (Fort) Lewis in early April, 1927. A billowing curtain of smoke obscures advancing American troops from German soldiers entrenched behind rocks and hay during the "big drive in the Argonne." Two lines of trenches would be dug across the top of a hill as far as the eye could see and masses of barb wire entanglements, stumps, fallen trees and debris would stretch a quarter mile to the nearby forest. These German soldiers, and others, would tensely await the storming of thousands of American infantry and 21 tanks. Nine cameras would be used to film this battle sequence which would show an Army truck blown up and hand grenades and exploding shells decimating the earth. (TDL 4-2-27) BGN 112

This look at St. Paul & Tacoma Lumber Co.'s sprawling grounds was taken from the Puyallup Bridge on May 30, 1927. Col. Chauncey W. Griggs and associates had established one of Tacoma's first major sawmills located along Commencement Bay in 1888, one year before Washington became a state. Abundant sources of hemlock and Douglas firs were available for logging as St. Paul & Tacoma helped Tacoma become the "Lumber Capital of the World." One of the area's largest employers, St. Paul & Tacoma would eventually merge with St. Regis Paper Co. in 1957. (History of Pierce County, Vol. 1- pg. 10-11-article) TPL-3235; G36.1-134

St. Paul & Tacoma Lumber Co. (Tacoma); Lumber industry--Tacoma--1920-1930;

Elevated 1927 view of what is believed to be the Tidewater Mill Co. facilities located on the east side of the Hylebos Waterway at the end of 11th St. The Hylebos Creek Waterway drawbridge is up to permit ships to pass under. Multiple log dumps are located near the plant and readily accessible. The Tidewater Mill Co. was established in 1918 and had a capacity of 100,000 logs per day. Because it fronted 750 feet of deep water, several ships were able to load cargo at the same time. TPL-6476; G9.1-043

Tidewater Mill Co. (Tacoma); Lumber industry--Tacoma--1920-1930; Logs;

Log train headed for St. Paul & Tacoma Lumber Co. yards in July of 1927. Mount Tacoma (Rainier) in background. Many trees near the tracks have already been topped.

Logs; Lumber industry--1920-1930; St. Paul & Tacoma Lumber Co. (Tacoma); Rainier, Mount (Wash.);

In August of 1927, this photograph was taken for a brochure advertising the Chicago, Milwaukee and St. Paul Railroad locomotive class EP3, the largest and most powerful electric powered locomotive. The women leaning out of the windows wearing corsages were beauties from the Broadway Theater Review on loan to the railroad for the photograph. The automobile was a new Chrysler Imperial 80 sedan loaned by the American Automobile Association to transport the girls. The new Olympian was the most modern and luxurious transcontinental transportation around. It ran on roller bearings, eliminating lurching jerks on stopping and starting. The Milwaukee Road electrified transcontinental railroad ran from Tacoma & Seattle to Chicago, over 660 miles and across four mountain ranges. TPL-1359; G44.1-092 (TDL 8/7/1927, pg. G-5 alternate picture) (photocopy made for American Automobile on 10-8-27)

Railroad locomotives--Tacoma; Railroad cars--Tacoma; Railroads--Tacoma; Chrysler automobile; Chicago, Milwaukee & St. Paul Railroad Co. (Tacoma);

Exterior of the Royal Ice Cream Co. facility, 2413-21 Pacific Ave., during its Grand Opening in October of 1927. The architectural firm of Hill & Mock designed the building. The company called it the "Sanitary Sunlight Plant" and boasted how it combined utility with economy. The large windows were designed for ventilation and sunlight. It was later home to Medosweet and Foremost Dairies. (WSHS) (TDL 10/2/1927, pg. 8-A)

Royal Ice Cream & Milk Co. (Tacoma); Dairy products industry--Tacoma--1920-1930;

Royal Ice Cream and Milk Co. Interior of plant showing equipment during Grand Opening. Flowers in vases sitting on machines. Royal Ice Cream was well known by its slogan "It's the cream." From 1900-1927, its plant was located at 912-14 A St. In October of 1927, they opened a new factory at 2413-21 Pacific Ave. The plant bottled milk and manufactured ice cream and other dairy products. The milk was pumped into receiving tanks on the top floor where it was heated and then syphoned into glass lined tanks. It then passed over coolers into the filling and capping machine and from there to the milk storage room. The process for ice cream was similar, after being prepared and aged in holding tanks, it dropped by gravity into the freezers, where it was drawn into cans and carried by conveyor belt to large sharp temperature rooms for hardening. (TDL 10/2/1927, pg. 8A) (filed with Argentum)

Royal Ice Cream & Milk Co. (Tacoma); Dairy products industry--Tacoma--1920-1930;

Royal Ice Cream Company. Display of products in a glass case with many flowers on top. Narrow room with windows on both sides. Royal Ice Cream was well known by its slogan "It's the cream." From 1900-1927, its plant was located at 912-14 A St. In October of 1927, they opened a new factory at 2413-21 Pacific Ave. A complete dairy store was included in the new plant, selling milk, ice cream and dairy products plus fine candies. (filed with Argentum) (TDL 10/2/1927, pg. 8a)

Royal Ice Cream & Milk Co. (Tacoma); Dairy products industry--Tacoma--1920-1930;