At dawn on June 11, 1926, blackened shells were all that remained of 13 wooden World War I warships anchored in an inlet of Henderson Bay. The ships, built by Seaborn Shipbuilding Co., Wright Shipbuilding Co. and Tacoma Ship Building Co. in Tacoma for the French and incomplete at the end of the war, had been moored in Lake Union in Seattle. After being sold for scrap, they were towed to the mouth of Minter Creek and floated out at high tide to an inlet on Henderson Bay. They were then broken up, doused with kerosene and set on fire. After the controlled blaze burned itself out, iron and other salvageable metals would be collected. TPL-127, Bowen 26393 (TNT 6/11/1926, pg. 1)

ca. 1920. Ship under construction or being repaired at Skansie Shipbuilding Co. yard at Gig Harbor, circa 1920. Skansie Brothers was founded in 1912 by four Yugoslavian brothers, Pete, Mitchell, Andrew and Joe Skansie. TPL-688, BU-13900

Mill workers, accompanied by Washington National Guardsmen, stand at the side of the road preparing to cross the Eleventh Street Bridge into the Tideflats to report to work. A second group of men appears to be standing just ahead, possibly strikers gathering to heckle the workers. In June of 1935, workers attempting to return to work at the reopening mills were subjected to extreme violence and threats. Governor Clarence Martin ordered the second battalion of the Washington National Guard 161st Infantry to Tacoma on June 23, 1935 to protect the returning workers and the mills. The guardsmen were armed with smoke, tear and nausea gas bombs, rifles, bayonets and ammunition. (TNT 6/24/1935, pg. 1 & 2)

Members of the Washington National Guard are loaded up in trucks and preparing to return to downtown Tacoma from the industrial Tideflats across the Eleventh Street Bridge. The second battalion of the Guards' 161st Infantry was mobilized to Tacoma by Governor Clarence Martin when workers attempting to return to work during the Lumber workers' strike met with violence. Their job was to protect the workers and the mills. They were stationed at the Armory and patrolled the Tideflats and all bridges and roads into the area. The Eleventh Street bridge has roadblocks on all but one lane, so that vehicles could be searched. (TNT 6/24/1935, pg. 1 & 2)

ca. 1931. Dennison & Company, chicken canners, Fern Hill. Belle and Lee Dennison founders of food line. Glass jars filled with Dennison's Tender Chicken on display circa 1931.

ca. 1931. Dennison & Company, chicken canners, Fern Hill. Belle and Lee Dennison founders of food line. Unidentified Dennison employee stands near canning equipment circa 1931.

ca. 1935. Workers coming through the gate at the St. Paul & Tacoma Lumber Co. mill in Tacoma, 1220 Saint Paul Ave., around 1935. The mill was established in 1888 on a tideflat island called the "Boot," which lay between the two principal outlets of the Puyallup River. The mill began operation in April of 1889. Production rose until, by 1940, the mill claimed the largest daily production in the world.

ca. 1943. Originally built for the Tacoma Biscuit & Candy Co. in 1904, this building at 17th & Jefferson Ave. was sold to the Union Pacific Railroad two years later. After stints as a spice factory and many years as the Tacoma Paper & Stationery Co., it was taken over by Blake, Moffitt & Towne, Inc. in January of 1943. The firm was a wholesale distributor of printing paper, wrapping paper and stationery and remained at the Jefferson address until 1954 when it moved out to the industrial Tideflats. Since 1971, The Old Spaghetti Factory restaurant has been the primary occupant.

Silent movie star Richard Barthelmess, boxer Harry Dillon, & Hollywood director Al Santell posed for a picture on location at Camp (Fort) Lewis during the filming of "The Patent Leather Kid" on March 29, 1927. Mr. Barthelmess is dressed in doughboy attire for his role as a boxer who enlists in WWI. Mr. Dillon, a Canadian boxer who was known for his knockout right handed "Static Punch," was in Tacoma for his March 31st title fight against Washington native Fred Lenhart to be held at the Greenwich Coliseum. An invitation was extended to the film "boxer" by the real pugilist to attend the bout and Mr. Barthelmess accepted. Mr. Dillon lost his light heavyweight crown by referee's decision. (TNT 3-30-27, p. 10) BGN-164

Crown Prince & German soldier "Battle of Argonne." Arms akimbo and cigarette in hand, the German "Crown Prince" converses with a soldier from the "German" Army during filming of "The Patent Leather Kid" at Camp (Fort) Lewis on March 24, 1927. Even the wooden sign behind them is in the German language. The war scenes filmed were said to be the most vividly real sequences ever made for the camera. Trenches were dug, barb wire strung and fallen trees and other debris were scattered across the war zone. Thousands of extras, mostly Army personnel, were used to depict the sheer magnitude of the bloody battle. 37 Army and National Guard tanks were used as well as 100 army trucks, 15 ambulances and 15 wagon trains. Four batteries of 75 mm guns, two batteries of 155 mm guns, two batteries of 8-inch howitzers were also utilized. BGN-182

Filming of "Battle of Argonne" scenes - "The Patent Leather Kid," March 24, 1927 at Camp (Fort) Lewis. "German" soldiers beat a hasty retreat back to waiting comrades in trenches as their attempt to battle American troops are thwarted by the presence of 27 whippet tanks. Later scenes would show the tanks hurdling German trenches and fierce hand-to-hand fighting .

Actor Richard Barthelmess & champion boxer Harry Dillon shaking hands on location at Camp (Fort) Lewis, March 29, 1927, during filming of "The Patent Leather Kid." Harry Dillon, a Canadian, was in town to defend his light heavyweight title against native son Fred Lenhart at the Greenwich Coliseum on March 31, 1927. He extended an invitation, which Mr. Barthelmess apparently accepted, to watch the bout. Mr. Dillon lost the match by referee's decision; this brought along a mixed reaction by the packed house. (TNT 3-30-27, p. 10) BGN-119

Lights! Cameras! Action! Cameras roll as filming occurs on Camp (Fort) Lewis with "The Patent Leather Kid" in March, 1927. One of the cameramen is believed to be Arthur Edeson, director of photography, a founder of the A.S.C. (American Society of Cinematogophers). He pioneered location sound photography in later work as the cameraman of the successful Western "In Old Arizona." Both he and the other cameraman are wearing protective helmets. Camp Lewis was used by the First National Inc. studios for outdoor photography with indoor scenes filmed in California. Multiple cameras captured the fierce battle action in the "Argonne" where thousands of soldiers from the 4th Infantry, 7th Infantry and ROTC from the University of Washington served as extras. The artillery range was used for the main part of the picture with the construction of five French villages and a cathedral. BGN-115

Filming of "The Patent Leather Kid" at Camp (Fort) Lewis in March, 1927. Cameras on top of platforms are protected under large umbrellas; ladders must be utilized by cameramen and director(s) for access to the platforms. Groups of actors and military personnel appear to be waiting for the next scene. BGN-114

Between scenes of "The Patent Leather Kid" on Camp (Fort) Lewis, March, 1927. Making films, even back in the silent era, involved lots of downtime. Scenes needed to be set up, camera angles discussed and positioned, and actors herded into place. Some of the actors, probably extras, stand in a group with their guns at rest while others lounge in a truck. Four giant loudspeakers would give plenty of warning when action was ready to commence. BGN 124

Tacoma photographer Chapin Bowen described Luther "Dad" Sullins as "a real silk salesman" when he took this portrait of Sullins in Wright Park. Silk was a multi-million dollar business on Puget Sound, as well as in Vancouver, B. C., starting around 1913 and still active in 1927. Raw silk from Japan and China arrived on cargo ships. The delicate raw silk bales were immediately transferred to railroad cars pulled by steam locomotives. The silk trains, carrying multi-million dollar cargos and displaying white flags, had the track right-of-way as they traveled at 80-mile-an-hour speeds to New York and eastern mills. BGN 092.

Adela Rogers St. Johns, on location of "The Patent Leather Kid," March 24, 1927. Striking a relaxed pose, Miss St. Johns wears her helmet tilted as she sits in a director's chair while visiting the filming of "The Patent Leather Kid" at Camp (Fort) Lewis. She wrote the screen adaptation of Rupert Hughes' short story of the same name. Miss St. Johns was a noted journalist and writer who was known for her distinctive, emotional style. A reporter for the Hearst newspapers, she also interviewed celebrated actors for Photoplay magazine, wrote short stories for various periodicals and also wrote many screenplays. She did not restrict herself to a genre but wrote on such varied subjects as the controversial Dempsey-Tunney "long-count" fight, the 1935 Bruno Hauptmann trial, the assassination of Senator Huey Long and the abdication of King Edward VIII of Great Britain. After retiring from newspaper work in 1948, she went on to write books, including her autobiography "Honeycomb," and to teach at a series of universities. Old age did not deter her; she returned to newspaper work at age 82 to report for the San Francisco Examiner on the bank robbery trial of Patricia Hearst. She died at the age of 94 in 1988; she was still working at the time of her death on a book regarding Jesus Christ. (Britannica Online: Women in American History) BGN-163

Arthur Edeson, cameraman, First National Productions' "The Patent Leather Kid," March 29, 1927. Mr. Edeson positions his camera which is mounted on a wheeled cart. He was the director of photography for the film which was lensed on the grounds of Camp (Fort) Lewis. A founder of the A.S.C. (American Society of Cinematographers), he later pioneered location sound photography as the cameraman of "In Old Arizona" (1929). "Stella Dallas,' "All Quiet on the Western Front," " Mutiny on the Bounty ," "They Drive By Night," "Maltese Falcon," and "Casablanca" were just a few of the many films Mr. Edeson worked on. He retired at the age of 58 after a career spanning the silent and sound eras. (Film Encyclopedia, p. 373) BGN-165

Filming of the "Battle of Argonne" war scenes of "The Patent Leather Kid," March 24, 1927, at Camp (Fort) Lewis. "German" soldiers charge down a hill, dodging explosives, while others hunker down in trenches. They would soon be overpowered by the superior numbers of American troops and tanks. BGN-111

Battle of Argonne filmed on location at Camp (Fort) Lewis on March 24, 1927. German troops huddle in trenches behind rock and vegetation barriers as they await the charge of American soldiers during the filming of "The Patent Leather Kid." Camp (Fort) Lewis was apparently ideally suited due to its natural resources as a prime substitute for France and thousands of military personnel were made available for use as extras with the permission of the Army. The location of the "Big Drive," scene of the fierce fighting of the Argonne forest, is almost the exact replica of the famous war sector according to Army technical advisers. BGN-113

Portrait of Al Santell, director of "The Patent Leather Kid," on location at Camp (Fort) Lewis on March 24, 1927. A jaunty beret and Army-issue jacket protect him from the often inclement weather. Mr. Santell was chosen to helm the war drama starring Richard Barthelmess and Molly O'Day. A San Francisco native, he was a comedy writer, set decorator and occasional actor before directing comedy shorts at the age of 20. He subsequently directed a number of silent and sound films of all types. He is perhaps best known for his film adaptations of Maxwell Anderson's "Winterset" (1936) and Eugene O'Neill's "The Hairy Ape." (1944). BGN-116

Troop of soldiers relax during the filming of "The Patent Leather Kid" on March 29, 1927, on the grounds of Camp (Fort) Lewis. An exceptionally tall soldier certainly stands out in the crowd of his compatriots. These men were probably portraying American foot soldiers in a vivid enactment of the Battle of the Argonne. First National Studio arranged to have the outdoor battle scenes filmed at Camp (Fort) Lewis and thousands of regular USA personnel as well as ROTC units from the University of Washington and 600+ civilians participated in the filming. BGN-117

Actor Richard Barthelmess, writer Adela Rogers St. Johns & director Al Santell on location at Camp (Fort) Lewis during filming of "The Patent Leather Kid, " March, 1927. Miss St. Johns wrote the screen adaptation of Rupert Hughes' short story of the same name. She had arrived in Tacoma on March 22, 1927, to help the continuity of the script. Mr. Barthelmess played the role of a self-centered boxer who learns to face death with the same courage he had faced his ring opponents. He was a Best Actor nominee at the 1927-28 Academy Awards for "The Noose" and "The Patent Leather Kid;" Mr. Hughes also received a nomination for Original Writing. Director Santell was praised by the New York Times critic Mordaunt Hall for bringing out Mr. Barthelmess' flawless acting and while realizing the full pictoral values of his scenes, never permitting them to interrupt the trend of the story. Mr. Santell would go on to direct dozens of silent and sound films of all genres, including The Arizona Kid (1930), Rebecca of Sunnybrook Farm (1932), Winterset (1936) and The Hairy Ape. (1944) BGN-438

Tacoma greets movie stars at the Union Depot. A hearty greeting from the City of Tacoma was offered to the actresses and actors appearing in the H.C. Weaver Productions studio film, "Totem Pole Beggar," on March 5, 1926. Shaking hands with star Wanda Hawley, wearing a voluminous fur coat, is believed to be A.D. Bjornstad. Mr. Bjornstad had attended school with Miss Hawley ten years previously and was currently employed as auditor at the Weaver Studios. The couple is flanked by two city policemen on motorcycles; the police officers are dressed for the cold weather with leather boots, gauntlets with long gloves and thick coats. "Totem Pole Beggar," whose title would later be changed to "Eyes of the Totem," would be the second film produced by the H.C. Weaver Productions studio. It would begin filming on March 8, 1926, and open at the Broadway Theatre on June 10, 1927. (TDL 3-6-26, p. 1)

Soldiers at attention during filming of "The Patent Leather Kid" at Camp (Fort) Lewis in March, 1927. The filming of this war drama involved the usage of thousands of soldiers from the 4th Infantry (Fort Lawton), 7th Infantry (Vancouver) and ROTC units from the University of Washington. Actual soldiers played screen soldiers on both sides in the First National production, although most of the enemy soldiers were played by the U.W. college students who had to cut their film careers short to return to school after spring break. The studio had to recruit hundreds of extras to replace them. This group pictured above of Imperial German soldiers seems unsure whether all should salute or not. TPL-10377

Actor on location set for "Patent Leather Kid," April 14, 1927, at Camp (Fort) Lewis. This unidentified actor leans against the archway of the ruins of a French cathedral used in the film's climatic battle scenes. He is probably portraying an American officer. The First National studio film crew used seven locations at Camp (Fort) Lewis to make realistic replicas of the French countryside. Desperate Germans would use this French cathedral as a final stand against superior American forces. BGN-126

Director Al Santell and actor Richard Barthelmess flank Al Rockett, First National producer, at a train station in March, 1927. The stars and crew of "The Patent Leather Kid" arrived by special train in Tacoma for filming at Camp (Fort) Lewis where vivid battle scenes would be shot. Mr. Barthelmess would be later nominated for an Academy Award for his portrayal of a boxer who eventually enlists in the war and engages in the Battle of Argonne. (TNT 3-16-27, p. 1)

ca. 1925. ASARCO smokestack and NP tracks coming out of the Nelson Bennett Tunnel to the west of Point Defiance Park. Photograph was taken circa 1925. BU-13881

Experiment by Dr. Clarke, Columbia Brewery.

Mess tents pitched on the old Central School playgrounds across from the Armory as cooks prepare to feed the men of the second battalion of the Washington National Guard 161st Infantry called out to control the violence associated with the 1935 Lumber workers' strike. In June of 1935, the mills in Tacoma and surrounded areas attempted to reopen with workers willing to return to work. Violence erupted between the returning workers and the strikers. Governor Clarence Martin ordered the Guard in on June 23rd, 1935 after reports that local authorities were unable to handle the situation. It was the second time the Guard was ordered out since the World War, the other two times being in 1919 and 1933. (TNT 6/24/1935, pg. 1 & 2)