ca. 1929. "Self Portrait" - photograph of Virna Haffer reflected on curved surface, circa 1929.

"'World Peace' (in political sense) a Rush" - photogram. Undated work with Japanese characters in bold print. (Virna Haffer Collection)

"Alley Doll and Chestnuts" - photogram. Figure appears to be a female nude in motion with head obscured by "chestnut." (Virna Haffer Collection)

"After Picasso" - photogram (Virna Haffer Collection)

"Bird Dance" - photogram (Virna Haffer Collection)

ca. 1934. "Dedication" - multiple exposures of nude man walking right to left across frame. According to the book "A Turbulent Lens," Haffer posed her husband, Norman Randall, in her studio with neutral backdrop and backlighting. A Graflex revolving magazine holder was used to take multiple exposures on several films and those resulting images were then sandwiched together. "Dedication" was used as the front and back inside covers for "Abundant Wild Oats," a book combining the poetry of Elizabeth ("Bettie") Sale and Haffer's photography. The book was never published although a prototype was made. (Virna Haffer Collection) (Bullock: A Turbulent Lens, p. 21, 126. 138, 117)

This circa 1928 image depicts a shadowy figure walking on downtown Tacoma's Eleventh Street Bridge in heavy fog.

ca. 1928. "Tilley-O"- multiple exposures of a smiling woman in sepia toned and B & W. This circa 1928 photograph shows exposures of the same woman placed in a circular format with what may be a mound of thickish black hair in the center of the circle, thereby either hiding the woman's actual hair or was an enlargement of her hair. (Virna Haffer Collection) (Bullock: A Turbulent Lens, p. 40-picture only)

ca. 1935. Distorted head. This untitled work is of Newell Griffith, circa 1935. Mr. Griffith can also been seen in another of Haffer's pieces, series VH, image ALBUM 2-35. (Virna Haffer Collection)