ca. 1979. View through chain link fence, circa 1979. Heidelberg Brewery sign painted on unidentified building at right, 11th Street Bridge (now Murray Morgan Bridge) and two smoke stacks in the distance.
ca. 1979. View, circa 1979, from the 2100 block of So. C St. looking south. On the left is the So. C St. side of the Tacoma Steel Supply Co., located at 2134 Commerce. On the right is the Carling Brewing Co., 2120-32 So. C. St. The Brewery closed in 1979.
ca. 1979. Pigeons perch on rooftop of the back of Union Station, 1717 Pacific Ave., circa 1979. Albers Mill, 1821 Dock St., in background left. From 1978-1982, Albers Mill was home to the Acme Intercity Freight Lines.
Pigeons; Union Station (Tacoma); Railroad stations--Tacoma--1970-1980; Albers Bros. Milling Co. (Tacoma);
ca. 1928. "Robert" - portrait photo of young child, circa 1928, wearing a polka-dotted jersey with a large collar shirt. In 1930 Haffer received her first national exposure when this photograph of "Robert" was reproduced by the American Annual of Photography. (A Turbulent Lens: The Photographic Art of Virna Haffer, p. 106)
ca. 1935. "Untitled" (Newell Griffith) - portrait of person's (Newell Griffith) head split with mirror, circa 1935. (A Turbulent Lens: The Photographic Art of Virna Haffer, p. 74)
ca. 1928. "Man in Derby" - portrait of person (Ralph Rosenberg) in derby hat and dark suit holding a lit cigarette, circa 1928. Haffer would use this photograph as a basis for a print, made from wood or linoleum blocks in 1929. (A Turbulent Lens: The Photographic Art of Virna Haffer, p. 95)
ca. 1933. "Onya la Tour" - portrait of person gazing upward. Dangling hoop earrings are in contrast with long dark hair. According to the book "A Turbulent Lens: The Photographic Art of Virna Haffer," title of a bas relief print which featured the same person was "Onya Latoor." It was possibly photographed in California. (A Turbulent Lens: The Photographic Art of Virna Haffer, p. 80)
ca. 1930. "Study -Kay Harshberger" - portrait of person with head distorted, circa 1930. According to "A Turbulent Lens: The Photographic Art of Virna Haffer," this work was also titled Caricature. The distorted image was created in the darkroom by rotating the horizontal printing frame slightly on its vertical axis. (A Turbulent Lens: The Photographic Art of Virna Haffer, p.19)
ca. 1930. "Isabel Morrison, Dancing Teacher" - circa 1930 portrait of person in kimono standing against a vertically striped wall with Chinese or Japanese characters written on it. According to the book "A Turbulent Lens: The Photographic Art of Virna haffer," Isabel Keith Morrison was a dancer and taught dance in Tacoma during the 1920s. She later moved to Los Angeles where she continued teaching and dancing in regional productions. (A Turbulent Lens: The Photographic Art of Virna haffer, p. 110; p. 20)
"Elizabeth Sale" - portrait of person with drawn castle in background, only head and hands are visible. Elizabeth ("Bettie") Sale was a poet who collaborated with Virna Haffer to produce a book incorporating her poetry along with photographic illlustrations by Haffer. "Abundant Wild Oats" was never published although a prototype was made. (A Turbulent Lens: The Photographic Art of Virna Haffer, p. 116-information on Bettie Sale and "Abundant Wild Oats.")
"Arrangement of Bamboo Leaves and New Shoots" - photogram. Photograms are created in a camera-less process using shadows that appear by placing objects between light-sensitive paper and a light source.
"The Unknown" - photogram. Probably created during the 1960s when Virna Haffer transitioned to camera-less photographic processes, particularly photograms. (Virna Haffer Collection)
Brightly lit head of man with deep dark-set eyes and black background. Area below the sharply etched cheekbones is in darkness. Forehead and nose area highlighted. (Virna Haffer Collection)
ca. 1929. Digitized for use by Frye Museum/jg. This is entitled "Kwei Dun" and was a bromoil print which resembled a painting. This is believed to be a portrait of Chinese finger painter Kwei Dun who arrived in Seattle in 1924 to study art and architecture at the University of Washington. (Virna Haffer Collection) (Bullock: A Turbulent Lens, p. 107)
